“Remilia will save the Internet.” Argentine publication 421 opens with our manifesto in its January 2025 feature, “Remilia, Milady, Charlotte Fang y la Nueva Internet.”

The article introduces Remilia to a Spanish-speaking readership, starting with anonymous imageboard culture and the familiar experience of encountering Milady profile pictures on the timeline.

Coverage Highlights

From Milady’s design to the places where the community gathers, the article follows several threads through Remilia’s history:

Milady’s Visual Identity:
The piece gets into the influence of Bottle Fairy, the neochibi style, and the attention given to making a character work as a profile picture. It lingers on the eyes, which stay in the same position across the collection while clothes and accessories change around them.

Remilio and Pixelady are also discussed, alongside the popular independent Argentine derivative Emilio Orden Mundial, whose local references give this part of the story a distinctly Argentine angle.

Charlotte Fang:
The focus turns to Fang’s online history, retracing earlier projects, controversies, and the influence of Nick Land before arriving at Network Spirituality and New Net Art.

Network Spirituality and New Net Art:
421 describes memes and posting as central to Remilia’s artistic practice, with a community giving those images meaning through their use and circulation. It also follows that activity off the timeline, into Remilia Quarterly and merchandise.

Miladycraft and Miladychan:
The final section visits places where the community spends time together. There’s Miladycraft, the Minecraft server promised in the original collection’s roadmap, where members gather for film nights. Then there’s Miladychan, with messages visible as they’re being typed—bringing the pauses, revisions, and anticipation into the conversation itself.

For 421, the imageboard is both a return to Remilia’s beginnings and a glimpse of where it wants to go. The article closes: “Welcome to the New Internet.”

Our Perspective

We appreciate coverage that engages with the relationship between our art, philosophy, and community spaces. The connection between Milady, publishing, games, and social platforms is central to our work: each offers another way for people to participate in a culture they help create.

421’s feature introduces this wider vision to a Spanish-speaking readership, following the ideas connecting our projects and the community bringing them to life.

Read the full article at 421 (Spanish) →

Originally published January 10, 2025, by the 421 editorial team.